Showing posts with label AI. Show all posts
Showing posts with label AI. Show all posts

Joannas

  

A colorful abstract painting of female twins in a car.

guest story by Tim, images by Simon Sonnenblume

You're doing it wrong


When Joanna Muir woke up in the middle of the night, it wasn't unexpected. There wasn't any particular change in atmosphere, or a sudden sound. She didn't need the bathroom, she wasn't cold. She just woke up.

What was different, though, was the sign that had appeared since she went to sleep. It was simple enough -  a poster on her wall that looked to have been attached with sticky tape. It said, "You're doing it wrong."

A simple statement, perhaps meaningful, perhaps not. Joanna didn't spend much time on the message. She was more concerned about how it had got there, how somebody had got into her bedroom. Frankly, she was instantly creeped out.

Decidedly frightened, she got out of bed very fast and went to the door, listened, and pushed it open. All was as usual and she took some unconscious comfort in that. 

Joanna explored the adjacent rooms, mentally before physically, and then went downstairs carefully. 

Again, nothing, and a further explore showed all entrances, windows and placements to be as they should be. All were entirely as she had left them the previous evening.

She made herself a tea, and sat for a while, thinking. She decided it wasn't an immediate police matter, but it would be in the morning. She tried to re-ravel her nerves, thought that bed was the place to be, and went back upstairs.

As she entered her room, the sign fluttered slightly, not that it needed her attention. Next to it, a new sign had appeared. "And you still are", it said.

That was that. She grabbed and threw on some clothes, left the house in panic, got into her car, and drove. 

It might be that the risk to her, driving at speed in an unfocused state, was greater than whatever was at home; it certainly didn't feel that way and there was no such analysis going on. There were moments she caught herself sobbing with fear.

The lights of a hotel - the nearest - appeared. People. Help. A phone to use. Warmth.

She pulled in to park the car. As she reached to open the door, she found it locked and unopenable. She screamed. Her scream threw her head back and her eyes passed the interior mirror. And in the mirror, she saw a shape, a thing...a person, sitting in the back seat. It smiled at her.

She saw a shape, a thing...a person

She didn't faint. Somehow this concretisation of her fear helped - the potentials collapsed into the understandable, however horrific that might be. It was now a particular situation with a particular circumstance and could, in some way be navigated.

The figure cleared its throat. "Oh, sorry", it said. "Didn't mean to startle you. Hi."

This entirely unexpected approach was more than confusing. The waves of confusion fell upon the shore of her remaining certainty, as she opened her mouth to speak. Before any words could blossom, she noticed, all at once and yet all in a sequence, that the figure was a woman. A small slab of the fear glacier fell away. Moreover, it was a familiar woman. Very familiar. In fact, it was herself.

Joanna turned around in her seat. "What the..I mean..no, I mean, what the?" 

Joanna Back Seat said "Oh sorry, I'd forgotten what it was like when I saw - you - that it is to say, when you...Look, do you want a coffee?"

There seemed little choice, and Joanna Front Seat closed her mouth, stunned. Then she shrugged. "Sure", she said.

Now the car door opened, and the two of them walked to the hotel. Wary at first, Joanna's fear and rage had by now turned to open astonishment and confusion, but these emotions allowed her to walk next to herself to the hotel lobby. She even had the presence of mind to say "What will they say, there being two of us?"

"Twins", said the other Joanna, shortly.

Nobody did ask, or comment. The two Joannas sat in the lobby. One wanted coffee, the other needed it.

One wanted coffee, and the other needed it

"So?", said Joanna.

"Well, I bet you think I'm from the future, or the past, right? Or it's a multi-Universe, I've hopped over here from another. Actually, I know that's what you think because you're me."

This was confusing too, but somehow made sense, because these theories were exactly what Joanna was thinking. It was strange knowing that what you think was known to someone else, but then of course this wasn't someone else. The strangeness began to abate and grow simultaneously.

Two coffees later, and everything and nothing became clear. One Joanna had been asleep, and the other Joanna had found herself in her bedroom, with the sign in her hand. She had stuck it to the wall, though she didn't know why. She had followed the first Joanna to the car, though how she had been undetected was a mystery too. To be honest, this whole thing was as puzzling to Joanna as it was to Joanna.

"So, let get this straight", said both of the Joannas, simultaneously. "I - you - were asleep, and I -you found yourself in my room and then..well, wait, what?"

They looked puzzled. One Joanna moved nearer the other, perhaps to hear better. One reached her hand for her coffee cup, and so did the other. They reached for the same cup.

As their fingers met, they somehow merged into one another. "Oh my God", they said, as they moved closer again, shuffling up the seat.

They became one single Joanna

They leaned back, leaned against each other, merged, became one single Joanna.

After a few minutes, Joanna got up, left the hotel and drove home. There was no note, no sign that anything had ever happened. She went to bed, somehow no longer frightened, but still infinitely puzzled.

The next morning, Joanna went through her usual routine. She made her breakfast, left the house, went to work. Although all seemed normal, she found it hard to concentrate on the job in hand, and after a while, left her desk for a break.

In the little kitchen, she turned on the kettle, got a mug from the cupboard, and turned to see a sign taped to the wall. 

"Nope,"it said. "Still wrong."




The Corridor


 by guest contributor Tim


Henry Firenze wasn't expecting death, but then, death wasn't expecting him either. All of these things run to a schedule, we are told. Henry went out one morning to buy a coffee, and Henry met his end crossing the road.

On Earth, there were the usual recriminatory investigations that accompany tragedies. The ripple impacts of his death, so enormous for his immediate family, grew smaller as his relationship circles with the rest of humanity grew wider, until they faded out entirely. By and large, the world neither knew nor cared about Henry or his death.

This realisation, that the world, in general, doesn't care, may have been one of the triggers for the idea of religion, back when man's brain was new and unexplored. Somebody, somewhere, must have been depressed about the idea of the uncaring Universe. Whether they then made up the comfort of a God or whether God existed and gave him that comfort is debatable. It always was debatable, here on Earth.

For Henry, the debate was settled. He found himself in an afterdeath state, and instantly realised there is indeed more to life than an Earthly existence.

He "awoke", though that isn't the term, to his new reality. A room, not like a prison cell, not unpleasant, but comfortably featureless, as if it didn't wish to impinge upon him, didn't want to give him any ideas.

Henry was confused and puzzled and worried and intrigued to find that all these very human emotions and reactions still existed here, wherever or whatever here was. In fact, he decided, he was still pretty much the same Henry as he had always been, and that gave him some sort of comfort.

He sat for a while on his featureless chair in his featureless room, half shocked, half remembering what had just happened on Earth, and he grieved. His grief was mellowed by the realisation that if he was here after death, then his family would be too in some way, some time, and he would see them again.

At that point, he realised that if this was so, then surely his predeceased parents would be here. Was there no way they could welcome him, be here to greet him? He frowned.

Henry got up, and walked to the closed door. Ideas of what might lie on the other side pierced him, each colourful image dancing its temptation. 

He imagined (and was pleased to discover he could still imagine) a garden, or a warm cosy room, where his parents would smile and nod and laugh and exist, and they would all be forever reunited. A moment later he imagined a fiery pit and sharp pointed forks and grotesqueries, and for a few seconds, he thought the bravery required to open the door would be beyond him.

Henry opened the door.

There were no signs, no scents, no sounds

Outside were none of his imaginings. Outside was a corridor, matching its features with his room, which is to say, there were none.

Henry coughed tentatively, trying to disturb whatever may be there by the least amount, either from fear of offence, or just from fear. Silence.

Henry walked from the room into the corridor, and immediately the door through which he had come vanished as it if never was. 

The corridor pulled him left or it pulled him right. It didn't care which way he went, it just offered him the chance to go. It was a corridor of potential energy waiting for him to make it kinetic.

As neither direction offered anything over the other, with increasing puzzlement, Henry walked. 

The corridor was long enough that its vanishing point was in fact its only feature. Nowhere was there a junction, or a mark on the grey walls. There were no signs, no scents, no sounds. Henry could see and hear and feel nothing but himself and the noise he made with the corridor. He walked on.

After what seemed a long while he began to think that his body would surely soon begin to make its childish demands. Feed me. I need a drink. I'm tired. 

His body felt none of these things. It was as if it had moved into eternal stasis. Henry decided he could feel worried about this stasis idea - he chose not to, unsure of where that mental path might lead him.

The path he was on, though, just went on. After what felt like an impossibly long passage of time, Henry stopped. He turned around. In both directions the corridor was identical, as if he was caught between two opposite mirrors.

Henry burst into song. A note, flat, made no difference, except to himself. It was a relief to hear himself, not just his footsteps. The sung note hung and broke the muddy silence. 

The corridor dampened the noise, the very opposite of a bathroom. It didn't, thought Henry, seem intentional. It was just a result of its structure.

At that thought, Henry's inner chimp woke his curiosity, and he moved to investigate the wall more closely. It was of one-pieced smoothness, a tube almost. It curved over his head like an underground tunnel, perfect in symmetry. Henry's half-hoping fingers pressed against it, seeking some comfort, some sense, perhaps, of the organic. He got back no such sense. 

The temperature was perfectly bland, the feel was perfectly bland, the light was perfectly bland. 

Henry sighed, ever more puzzled. At last, he made a decision. He turned around, and walked back the way he had come. There were only two choices, and one had no apparent advantage over the other. 

Still the corridor lead Henry onwards, straight as a vector. Did it, and thus Henry, have a destination? Or was this the afterlife, an endless walk with no idea what for or why? Was this hell?

It was, Henry estimated, a day or three after he had started walking that he was edging towards giving up. After all, his body needed nothing, and walking further seemed pointless. He could just sit, sit here, perhaps for eternity. It's fair to say that Henry was becoming depressed. 

He made himself walk on.

A few days later, Henry was staring ahead glumly, resigned. His eyes saw nothing but corridor, the penumbra of darkness that defined the limit of his vision ever moving from him, until he became aware that it wasn't. That patch of darkness ahead had moved nearer.

His breath-rhythm picked up. It was a change. Something had changed. That little patch of darkness was a destination. It was a place, and places are where humans want to be, even dead ones. Henry wanted to be where the darkness was, to fire up his somnolent new-thing neurons. He walked faster, ran, stumbled, craved and pushed himself.

The dark patch grew nearer, measurable, reachable.

Henry arrived. The darkness grew around him, until he could see nothing. His hands in front of him, he adored this new state of blindness, this new reliance on underused senses. He walked forward, tentatively, slowly, then with increasing confidence. He celebrated the difference.

At last he was running forward, utterly blind, into the darkness.

And then the sound of his footsteps, the low thudding heartbeat of his feet, changed too. A slight softening of the sound. A sonic evolution from clay to bell. The floor was changing.

Henry reached down and used his new sight, his fingertips, to feel the floor. It had definitely changed. It was more metallic. And soon, his groping hands gave him what he had craved. The floor was no longer smooth. It had a patterned roughness, and pattern meant intelligence and design, and pattern meant Henry had found something, something incredible.

His delight was intense, a state now so unknown to him it was as if he had never experienced it before. Its old novelty ran over him with wash of cold, and a clarity came to his thought. This was not enough. There must be more. 

Henry stood up and a new Henry walked on into the darkness.

This time, it wasn't long before his sensitive eyes picked up a few welcoming photons. Ahead lay light. After leaving the light and running into darkness with the excitement of a child, this new light, this potential, this possibility, almost made Henry explode with excitement. He ran again, and quickly this time, quickly.

The light welcomed him. He thought it was a religious experience, heading into the light and for a while he found it funny that God would be so unsubtle, so obvious, so well, God. He ran into the light.

The corridor lay in front of him, as it had before, just the same. Endless. Nothing was ahead except more corridor. The floor had returned to its uninteresting featureless state.

Henry's tragi-comedy filled him, filled him so much his emotions topsy-turvied until he was sobbing like a baby, crouched on the floor. There was no other sound, nothing apart from his sobbing.

It felt like some hours before he stopped, and looked and thought, and worried again. At last, Henry got up and headed on. What else was there to do?

A long while passed, and Henry once again saw darkness ahead. This time, he didn't care. He knew what he would find. He felt he had explored all this place, if it was a place, seen all that this place could offer. 

He walked on, once again with feet encouraging time to pass, as if without them time would not move. He entered the familiar wonderful horrid darkness.

It was a surprise then, when the darkness presented him with an obstacle. He had had his hands ahead of him, an instinctive danger warding, when they made contact. Henry's heart almost stopped, though he realised that his heart was never going to stop. His hands had met a wall. 

A moment's investigation. Henry had reached a corner. This place had corners and he was briefly filled again with the joy of it.

Then, not allowing himself the extreme of emotions he had recently gone through, he played it down. A corner. It would lead to another corridor. It would go on forever.

Henry walked forward, a new direction that felt exactly like the old one. It took no time at all for Henry to slip back into his walk, into forward movement that achieved nothing and whose only benefit was that was its opposite was nothing.

The darkness ahead once more gave itself up to light. The light that pulled and tempted and promised. A hollow promise, Henry felt, a nothing dressed as a something.

Henry walked from darkness into light. 

Ahead was a door. 

It wasn't possible for Henry to analyse this, in his state of mind. His body, newly unencumbered with physical human failing or wants moved forward to the door. He opened it, half-expecting by now that it would be the door to the room where he started.

The door opened onto a landing. From the landing lead two staircases, one that went up and one that went down. There no lights or sounds to guide him.

Henry went to the meeting point of the stairs, and he looked down and up. Below, he could just see that the staircase was short, turned, and lead to another landing. It looked pretty much like the one he was on now. He looked up, and in the same way, the turn of the short stair seemed to lead to another identical landing.

Each had a sign that said "Floor seven"

He was beyond thinking, but some half remembered religiosity in him made him choose the upwards stairs. As he did so, he noticed, by the doorway, a sign. It had words printed on it. It said "Floor Seven".

Henry was overcome, again and at last. A place that showed it HAD a place, it was a meant thing, it had some sort of purpose. A purpose that he could figure out, that he could work on. Something to DO.

Henry almost ran up the short staircase, arrived at the next landing. The landing offered another staircase up. It offered a door. Next to the door was a sign.

The sign said, simply, "Floor Seven". The door next to it lead to a corridor.

Jow went up another stair, another dozen, another hundred. He went down a thousand.

Each landing was identical, and each had a sign that said "Floor seven", and a door, and each door lead to corridor.

It was on perhaps the fiftieth year of wandering that Henry paused in his impossible endless march up the stairs, or perhaps it was down. He hardly knew. 

Then, far above, so very far above, he heard a voice. 

Henry sat down and began to cry. Then he sat and waited.

The voice was louder now. The owner of it was coming down the stairs.

Henry thought about getting up about running towards it. 

He thought about all the nuances of interacting with the voice's owner, with the questions and delays.

He thought about sharing their experiences, the puzzles. He thought about the answers.

The voice was nearer, just a few landings up. The words were unintelligible, but the changes in tone and pitch were clear. It was self answering voice, a mono-dialogue.

Henry stood. Without, in the end, much thought, he went to the door of the landing he was on, opened it, and went through, closing it silently behind him. 

Muted by the door, the voice grew as loud as it ever would, passed by the landing, and faded as its owner went on downwards, down the stairs.

Henry turned. The corridor lead into the far distance. 

He began to walk.

The Fifth Sound Change

 



By guest contributor Tim

The dog heard it first, as dogs always do.

The old man paused a moment, with the bird half carved, and watched the yellow pup shift uncomfortably.

The old woman said the dog needed walking, but the old man knew that wasn't so, for they had walked together already that day, down by the river.

As he recollected that thought the old man remembered something else. He remembered how the yellow pup had been edgy somehow. Not mischievous as he often was, not hurried. Just uncomfortable, and in the way that Masters have, the old man had felt it too.

But the warmth of the house, and the smell of fresh coffee, and the soft welcome home creak of the wood under his feet as he had stepped onto the porch had reassured him, and he forgot.

The clock warmed the air with its brassy chime. Ten o'clock, and thoughts of white sheets and soft blankets were imminent.

The old man looked down at the worn spot where the dog should be, but the pup was gone. He was under the kitchen table; his refuge when a great storm was due.

The old man went to the back door and looked out. The sky was sugared with stars, and in the west the last embers of daylight were fading.

For some reason, tonight he became aware of The Sound.

In normal circumstances, such as they were, he would have tried not to notice it, but it was almost as if there was a slightly bitter quality to it tonight. As this idea began to fight to the surface, he began to sweat.

It was too soon. Surely it was too soon.

Hurriedly now, he went back into the house. The old woman glanced up, saw something was wrong, and with the intuition they all had, these days, thought as he did.

Together, silently, they moved to the calendar and flipped it back.

"Ten months", said the old man. "Ten months", he said again, as if the repetition could stave off the unavoidable.

They looked at one another, and tears began to form.

Down in the village, others had picked up the change in The Sound too, and already panic was beginning. This would be the fifth Sound Change, and there was no preparation that could alter it.

A few started to discuss ideas, again, scream them, really, as they had four times before; the busy-busy-make-work brought comfort to very few.

Almost five years previously, a shape - no more than that - a shape had appeared in the sky.

After the initial panics and enquiries were over, of course, the military found it entirely impervious to their weapons; indeed, impervious was too strong a word. The shape ignored them and nothing reached the target.

Attempts were made to communicate, but it was as if the shape wasn't there. It was unapproachable, just floating, just being. Nothing could get to it, and nothing came out of it.

Weeks went by, and then months. After a time, the world began to think of other things, and the shape became part of the background, an inexplicable new reality.

And then, with no warning, as night fell under the shape, came The Sound.

It was not a human sound, but humans reacted to it.

It grew louder and sharper, a lemon juice minor key that began to hurt, began to penetrate. People began to cry out with the pain of it, and it grew more intense.

The Sound enveloped the world, a blanket of agony.

People fell to the floor, tried all they could to block it out, to no purpose.

People died.

But not all people. About half of the world's population were affected.

At evening they had been living their lives, complicated or simple. By the morning, half of the world's population was dead.

The Sound didn't stop, but only half of the world was left to carry on. Everyone everywhere could hear it, but it didn't affect them as it had the others.

Body counts were made, and enormous resources spent on disposal of the corpses.

Religion, in all its physical and spiritual forms was invoked and placated and explored and begged.

The shape didn't move. The people of the world, traumatised, tried to carry on. Cities became towns, and towns became villages.

Fewer people, fewer resources - the world stepped back. Once again, the world carried on, what was left. After a year, healing had started.

The Sound never stopped.

One night, a year later, there was a shift in The Sound, a slight change in volume, and turn from sour to sweet, to cloying. On edge, the world once again became aware.

As night fell under the shape, The Sound changed, immediately.

It was the same pattern as before - half of the world was affected, writhed, died. Horrified, the other half watched.

There was no pattern they could discern, and families were split for eternity.

The remains of the world renewed efforts to communicate, now with much reduced efforts. Again, it was fruitless.

Helpless, once again the world settled down to inevitability.

Twice more, exactly a year apart, The Sound changed.
 
It was worse now. It was predictable.

Half of the world knew their dying day was coming. Hope faded that there would be a solution. Across the world, in parts, civilisation broke down entirely. In other parts, perhaps due to geography, or luck, or attitude, people banded together for support, formed little settlements and villages, lived as best they could.

Each time The Sound changed, there was killing pain for a few hours, for half of them, and then they were gone.

Today then, was the fifth change in The Sound.

The old couple knew it was coming, and they knew there was nothing to be done. They held hands in their front room, half breathing, aware that either or both of them might only have moments.

The Sound began to shift, It began to morph from its old form.

And then - it stopped.

The Sound was gone, after five years of lethal dissonance.

The Sound ended, and the shape, whatever it was, whatever its purpose might have been, simply went away.

Silence fell all over the world.

And the remaining population, those few that had survived, couldn't stand The Silence.

The Silence came, and the last humans, every one of them, died.

LBJ

 


by Glen L. Bledsoe 

Not many people know that Vietnam war era American President Lyndon Baines Johnson was a comedian before he got into politics. As a young man he developed quite a reputation as a funny man at the Buster Brown Comedy Spot in Richie, Texas (a quality he had to decidedly counter as a politician). In fact, Rodney Dangerfield stole the line "I don't get no respect" from LBJ.

The Performance

A man standing in front of a microphone with smoke around his head.
He was channeling his poems

 Image by Martin Sercombe, story by Simon Sonnenblume

He started speaking too softly

The poet had been writing for decades in his small city. He was not only a poet. He was a painter and a writer as well. He used to read his poetry to his wife, the love of his life, during their evenings in the garden. No one else really knew about his poetry work. Until his old school friend, the mayor, and his wife came to see them for a small dinner party.

Before dinner, the poet and the mayor sat outside in the garden. There were still poetry papers on the table from the previous night. "What is this then?" the mayor asked, "are you going to write a book again?"
"No, no, that’s just..." the poet started to say. "Oh, it is poetry, isn't it?" And before the poet could stop his old friend, the mayor had already started reading. Much to the poet's surprise, the mayor did not stop reading. So he relaxed and leaned in more to the back of his chair.

After a while, the mayor put the papers down. "This is very good, you know. You should do something with this. Are you going to publish them, my dear friend?" "Oh, I do not know," hesitated the poet. "I just write this for fun and read them to Julia when we sit here during the evenings."

During dinner, the mayor suggested that the poet should recite his poems at the municipal theater. "Let me pull some strings. I know some people." he smiled.

A week later, the poet received a formal invitation by mail. "It is official now." the poet sighed. "Hard to back out at this point." The poet looked around in his atelier. He glanced over his paintings, his photographs, and the travel-story books he wrote. "Why the poetry?' he asked himself out loud. "Of all the things I created, they want the poetry. Surely they know I have done more than that." But his paintings were exhibited many years ago at some galleries in the capital, and he sold more than he owned now. Even the local museum had three of his paintings on display.


His travel-story books were translated into multiple languages. His friend Luiz, the local bookshop owner, said his books are still in high demand by tourists. Especially the book about his travels through the desert.

"Well, I have to go now." the poet said while putting on his coat. "I will see you after the recitation then." His wife, Julia, took his head in her small hands, pulled him closer, and kissed his forehead." "Yes, our son will pick me up. You will do wonderfully. You always do, my love. Do not worry about it." "Easier said than done." the poet chuckled. "I am sure you will manage," Julia said while she placed her hand over his head.

"Ah, there you are, right on time," the stage manager said. The poet got some makeup on, and the stage manager showed him around.
He let the poet peek through a hole in the wall. The theater was sold out
The poet noticed everyone in his family was there. Three generations.
His wife, Julia, had managed to get every family member there. Even those who lived far away. It made him more nervous than he already was.

Time ticked away. The moment to enter the stage came closer and closer. The poet noticed the sweat on his hands. He never had sweaty hands, did he? He breathed more shallowly, and unconsciously he swallowed quite a lot.

He heard the voice of this friend, the mayor, announce him. He felt the hand of the stage manager on his back. "This is you now."
The poet could not utter a word, so he just nodded. He walked past the curtain and stepped into the bright light.

He walked a little uncertainly. As if his legs were made out of rubber.
The stage looked bigger in the bright lights. Apart from a slim lectern, there was nothing else on stage. He placed his papers on top of it.
He grabbed the lectern with both hands. It was wobbly!
He quickly pulled his hands back. He organized his papers.
He did not dare to look up at the audience. He saw the sweat stains appear on the paper. Thank God there was a glass of water on the lectern.
But not now, not now. No drinking now, he calmed himself. He tried to focus on the text, and for the first time in his life, he felt that he needed reading glasses. What was on the paper looked blurry to him. He swallowed a few times, and then he started to speak.

He started speaking too softly. He heard some murmur from the audience. So he raised his volume. His dictation was stiff. It lacked rhythm and flow. He rushed the first poem to its end and rushed on to the next. He tried to turn the page, but by accident, he dropped all his papers onto the floor. A few even sailed into the audience. The people made an ooh-sound, and papers were placed back on stage.

The poet looked at the mess of papers on the floor for a moment. I can do this without the papers, he thought. I have read them out loud so many times for my Julia.

The poet wandered over the stage, and he slowly started to recite the second poem. The audience became quiet. The poet moved around all over the stage like he had done in his garden when reading his poetry for his wife, Julia.

It was one of his best lengthy poems, and he got lost in reciting it.
The poet mimicked the emotions with his face, hand gestures, and body poses. He put all of himself into the words that he spoke out loud.
The audience started to get mesmerized by the performance.

The light engineer of the theater, who was leaning back all the time, noticed the change in the performance and the reaction of the audience.
The light engineer started to play with the lights. He followed the poet with a spotlight and used different colors to emphasize the mood on stage.

The poet recited poem after poem. The applause got louder and louder after every poem, and there were even some cheers. After a while, the poet no longer recited his work. He was channeling his poems. He had become the experience. It was the performance of a lifetime.

The poet moved all over the stage, using his voice in all possible ways to convey the meaning of his words.  The poet felt his body was getting warm. A glowing sensation ran up his spine.

The poet spoke the last words of his final poem. The audience rose to give him a standing ovation. This was something they had never experienced in the municipal theater. There were loud cheers and whistles.

The poet did not know whether he should bow. Do poets bow? He did not know. So he just said a polite thank you and left the stage.

The poet stepped off the stage and felt like he was walking on air.
The mayor rushed over to meet him. "That was an absolutely stunning performance!"

"That wasn't me speaking." the poet said.

Wish-Come-True, a Fairy Tale


 by Glen L. Bledsoe 

When Jane spent the night at a friend's house and left her stuffed animals in charge, her Wish-Come-True appeared, but not finding Jane in her bed went on to another child.

Moral: never travel without leaving contact information with your Teddy Bear!

The Potion

by Martin Sercombe


Xezu was known for his eccentric experiments and strange creations, but his latest endeavor was by far his most unusual. He had concocted a potion that promised to make its user so stunningly beautiful or handsome that no one would be able to gaze upon them for more than a second.


One day, as Xezu was working with the potion, he accidentally spilled some of it into a nearby river. The river flowed into a small village, and soon, all of the villagers who drank from it were transformed by the potion's power. At first, they were pleased with their newfound beauty and charm, but it quickly became a burden as they found that they could not go anywhere without causing a commotion. People would either freeze in panic and wonder or hide their heads, unable to even speak with the villagers.


As the days passed, the situation only grew worse. The villagers became isolated, unable to form meaningful connections with anyone. They could not go to work or attend to their daily tasks without causing chaos, and nothing worked as it did before.


Xezu, upon realizing the extent of the damage he had caused, felt immense guilt and set out to find a cure. He worked tirelessly, experimenting with different ingredients and methods until he finally succeeded in creating an antidote. He hurried to the village and administered the cure to all the affected villagers. Each person instantly became so ugly that no-one could bear to gaze upon them for more than one second.

The Bather


 By Glen L. Bledsoe 

This illustration depicts the legend of the moment before Dooth, the leader of the Funnelbeaker peoples, first gazes upon Mar-Thol (who is about to disrobe to bath in the Nile) and becomes besotted with her beauty. They marry only later to be cursed with immortality with the memories of each other's face erased by Arka-Arkitutti, the Witch-Queen of the Sea Peoples. For eternity they criss-cross the planet searching for one another with aching hearts.

Somebody needs to write an opera around this.

Night is Paper

by Martin Sercombe and Thom Conroy


 Night is Paper is a cine-poetic collaboration with novelist Dr Thom Conroy.

The artistic process began with a slide show of images generated in Midjourney. The images prompted a sequence of text-based fragments which combine to evoke a sense of eves-dropping into a shadowy, indistinct world where nothing can be fully understood.

A mix of found sounds and electroacoustic music from the Free Music Archive build upon this mood of unexplained mystery.

Songs

By Martin Sercombe and E.E.Cummings

 
 
The American poet E. E. Cummings’ work began to enter the public domain in 2019, which then allowed other artists to make use of his poetry in derivative works across a range of media.
 
 Taking advantage of this, Songs chooses five short poems from his first three volumes: Tulips and Chimneys, & and XLI Poems as the basis for extension into the realm of the moving image.
 
 The translation poses a number of challenges, namely finding ways to preserve the lyrical flow of Cummings’ language as it might be read or spoken, whilst preserving his idiosyncratic use of syntax, line breaks and punctuation. The second challenge is finding appropriate ways to illustrate Cummings’ word images without over defining or misconstruing their meanings or intents. 
 
These five works make no claims to have solved these problems. Rather, they attempt to preserve the spirit of the original works via complementary sounds, music and imagery, reinventing and reimagining them in the process.
 
All the images were generated using Midjourney, and the soundtracks comprise of public domain music selected from the Free Music Archive.

The Bather


This illustration depicts the legend of the moment before Dooth, the leader of the Funnelbeaker peoples, first gazes upon Mar-Thol (who is about to disrobe to bath in the Nile) and becomes besotted with her beauty. They marry only later to be cursed with immortality with their memories of each other's appearance erased by Arka-Arkitutti, the Witch-Queen of the Sea Peoples. For eternity they criss-cross the planet searching for one another with aching hearts.

Somebody needs to write an opera about this.

The Marriage of Arnold Finley


 By Glen L Bledsoe

The Marriage of Arnold Finley painted by Eyk Van Jens circa 1433 has been the subject of little controversy since its discover in an attic of an abandoned home in Amsterdam more than 150 years ago. Most art historians view it as a simple picture representing the matrimonial bond between Arnold and Marie Finley. However more recently a group of speculative phenomenologists have proposed that it is the first record of what is called iPhone Brain Swap Syndrome (iPBSS). This occurs when two people (usually teens) share the tangly bits of iPhone earphones and due to the circuitry of the iPhone their conscious minds momentarily switch bodies. While the couple in the painting do have a certain vacant look on their faces they most certainly are not wearing a shared iPhone earphone. The technology hadn’t even been invented then and most people in those days used flip phones.

somewhere i have never travelled

 By Martin Sercombe. Poem by e.e. cummings

 

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands


 



The Woman from One Million Years AD


 By Glen L. Bledsoe 

Governmental representatives and news reporters from around the world gasp as the air shimmers over the plaza of the United Nations building. A metallic sphere appears out of nothingness and settles softly on the ground below. A door hisses open and a tall woman with a large, hairless head and wearing flowing coral colored robes ducks through the opening and walks down the ramp.

"I see you received my invitation," she says. "Good. I bring you greetings from one million years into the future. Know that Mankind survives. Science, Arts and Culture flourish. Our kind has spread throughout the solar system and the galaxy. It is important for you to know that, in spite of the challenges, you will prevail. Do you have any questions for me?"

Professional Henry DuBois of Pierre and Marie Curie University in Paris holds a microphone in one hand and a stack of cards in the other. He says, "I have so many questions from my colleagues from around the world. But before I begin I must make a comment. Your appearance clearly demonstrates the founding principle given to us by Darwin. Evolution! I am gratified to see that mankind continues to evolve in the future and physical changes take place. Our puny heads have so little room for brains. Your beautiful head has evolved to increase its capacity for a much more massive brain. I cannot even begin to grasp your ability to cogitate compared to our own."

"Evolution? This?" The woman from the future points to her head. "This isn't evolution. This is the latest spring fashion.

The Curse


 
By Glen L. Bledsoe

The story of how a group of Funnelbeaker tribespeople from the area which today is the Netherlands were driven south by a megadrought 1400 years BC must wait for another day. How Dooth their leader joined forces with Egypt to defeat the Sea Peoples must also be delayed as well as the history of the establishment of the brief but powerful Egypto-Dutch Empire.

Today the tale you will learn is how Arka-Arkitutti, Witch-Queen of the Sea Peoples cursed Dooth when her ships were sunken, and her army made slaves. How she blessed and cursed Dooth as she was about to die.

As Arka-Arkitutti stood bound to the stake she said, "Dooth, you are a mighty warrior and leader of your people. You have defeated me in spite of all my magics and charms. You and the Egyptian Pharaoh will build a mighty but short-lived empire. You and your wife Mar-Thol will live forever as is your reward. Your punishment: you will be separated, perpetually seeking one another across the world and across time. Dooth, while your heart continues to burn with love, you will be unable to remember your wife's face as she will be unable to remember yours. You may cross paths a thousand thousand times looking for each other and not recognize each other's features."

And so across time Dooth, now known as Father Duvall, searches without hope for his wife. He knows not to waste his immortality. He performs good deeds wherever and whenever he is.

Hiding the Children


 By Glen L. Bledsoe 

The mother of my new student asked to speak to me in the hallway. She showed me a photograph of a man who could have been the winner of a Charlie Manson look-alike contest. She said, "If you ever see this man around the school immediately call the police. He is my children's father and he has sworn to sacrifice them to Satan."

My jaw fell open. Not the usual greetings exchanged between a parent and a teacher on a new student's first day.

She continued, "We've been moving from campground to campground, town to town trying to escape him for two years."

I looked back at the students through the door to my classroom. "I will see that your son is safe," I said, "and l'll talk to your daughter's teacher. We'll have a plan to hide them if necessary."

We did make a plan, but it was never implemented because within six weeks they had moved on. I have no idea whether they are still on the run or not.

True story, I'm sorry to say.

The Guardian Angels


By Glen L. Bledsoe 

Every third Thursday of each month, year round, a group of women meet. Ostensibly they are a book club, but that is just for appearance sake. These women are watching those who don’t believe anyone knows or cares who they are. They watch the deserving who need a break. The watch the unrecognized talents who just keep trying. And when these women can they tip the scales in the favor of those unrecognized. These Guardian Angels aren’t everywhere. They don’t have chapters in every city. But they do what they can. Which means just because you don’t believe that someone is watching, don’t believe that your work and talents are being recognized, that doesn’t mean that you don’t have a Guardian Angel who is going to unobtrusively see to it that your talents and skills get what you have earned and richly deserve. Someone is always watching.

Amika and Amilia

By Martin Sercombe

 

Amika and Amilia are discussing a typical day at their school on Venus.
Apparently, things were not entirely to their liking.


Amika: "Sproin-gent-wumpf?"
Amilia: "Fargen-bloopadoodle!"


Amika: "Thump-fu-glarpen flop-proin-gent-wizzle?"
Amilia: "Glarpen-fargen-thump!!


Amika: "Bloopadoodle-smee floopadoodle-glorp."
Amilia: “Thump-zoo-bloop, sproingent-wump-fargen.”


Amika: "Glarpen-floop-smee??”
Amilia: "Bloopa-doodlethump!!"


Amika: "Fargen-zargo-bloopadoodle."
Amilia: "Hoofoo-luxilo-flimzee-jo-jo!"

The Magical Shepherdess



By Glen L. Bledsoe 


A Shepherdess by the name of Miss Gowz

Tended Sheep the size of large cows

She sold wool to the spinners in town

So they might knit socks, scarves and gowns


Retold Children's Rhyme from the Egypto-Dutch Empire

The Berlin Train

 

By Martin Sercombe

It was a foggy night on the train to Berlin, and the passengers were huddled in their seats, trying to stay warm. Among them was a man named Winston who had just heard false rumours of his wife’s infidelity. In a fit of rage, he stabbed and killed her in their compartment, then fled the scene.


The police were quickly alerted but Winston slipped away into the night. The next morning, the newspaper headlines blared the news of the gruesome murder and the failed capture of the suspect.

 
The passengers were left in shock and disbelief, wondering how such a terrible thing could happen on their peaceful journey. As for Winston, the guilt of his actions would haunt him for the rest of his days, knowing that he had taken the life of the one he loved, in a terrible misunderstanding.