You're doing it wrong
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| She saw a shape, a thing...a person |
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| One wanted coffee, and the other needed it |
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| They became one single Joanna |
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| She saw a shape, a thing...a person |
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| One wanted coffee, and the other needed it |
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| They became one single Joanna |
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| There were no signs, no scents, no sounds |
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| Each had a sign that said "Floor seven" |
By guest contributor Tim
by Glen L. Bledsoe
Not many people know that Vietnam war era American President Lyndon Baines Johnson was a comedian before he got into politics. As a young man he developed quite a reputation as a funny man at the Buster Brown Comedy Spot in Richie, Texas (a quality he had to decidedly counter as a politician). In fact, Rodney Dangerfield stole the line "I don't get no respect" from LBJ.
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| He was channeling his poems |
The poet had been writing for decades in his small city. He was not
only a poet. He was a painter and a writer as well. He used to read
his poetry to his wife, the love of his life, during their evenings
in the garden. No one else really knew about his poetry work. Until
his old school friend, the mayor, and his wife came to see them for a
small dinner party.
Before dinner, the poet and the mayor
sat outside in the garden. There were still poetry papers on the
table from the previous night. "What is this then?" the mayor
asked, "are you going to write a book again?"
"No,
no, that’s just..." the poet started to say. "Oh, it is
poetry, isn't it?" And before the poet could stop his old
friend, the mayor had already started reading. Much to the poet's
surprise, the mayor did not stop reading. So he relaxed and leaned in
more to the back of his chair.
After a while, the mayor
put the papers down. "This is very good, you know. You should do
something with this. Are you going to publish them, my dear friend?"
"Oh, I do not know," hesitated the poet. "I just write
this for fun and read them to Julia when we sit here during the
evenings."
During dinner, the mayor suggested that
the poet should recite his poems at the municipal theater. "Let
me pull some strings. I know some people." he smiled.
A
week later, the poet received a formal invitation by mail. "It
is official now." the poet sighed. "Hard to back out at
this point." The poet looked around in his atelier. He glanced over his paintings, his photographs, and the travel-story books he
wrote. "Why the poetry?' he asked himself out loud. "Of all
the things I created, they want the poetry. Surely they know I have
done more than that." But his paintings were exhibited many
years ago at some galleries in the capital, and he sold more than he
owned now. Even the local museum had three of his paintings on
display.
His travel-story books were translated into multiple
languages. His friend Luiz, the local bookshop owner, said his books
are still in high demand by tourists. Especially the book about his
travels through the desert.
"Well, I have to go now."
the poet said while putting on his coat. "I will see you after
the recitation then." His wife, Julia, took his head in her
small hands, pulled him closer, and kissed his forehead." "Yes,
our son will pick me up. You will do wonderfully. You always do, my
love. Do not worry about it." "Easier said than done."
the poet chuckled. "I am sure you will manage," Julia said
while she placed her hand over his head.
"Ah,
there you are, right on time," the stage manager said. The poet
got some makeup on, and the stage manager showed him around.
He
let the poet peek through a hole in the wall. The theater was sold
out
The poet noticed everyone in his family was there. Three
generations.
His wife, Julia, had managed to get every family member there. Even those who lived far away. It made him more nervous than he
already was.
Time ticked away. The moment to enter the
stage came closer and closer. The poet noticed the sweat on his
hands. He never had sweaty hands, did he? He breathed more shallowly,
and unconsciously he swallowed quite a lot.
He heard the
voice of this friend, the mayor, announce him. He felt the hand of
the stage manager on his back. "This is you now."
The
poet could not utter a word, so he just nodded. He walked past the
curtain and stepped into the bright light.
He walked a
little uncertainly. As if his legs were made out of rubber.
The
stage looked bigger in the bright lights. Apart from a slim lectern,
there was nothing else on stage. He placed his papers on top of
it.
He grabbed the lectern with both hands. It was wobbly!
He
quickly pulled his hands back. He organized his papers.
He did
not dare to look up at the audience. He saw the sweat stains appear
on the paper. Thank God there was a glass of water on the
lectern.
But not now, not now. No drinking now, he calmed
himself. He tried to focus on the text, and for the first time in his
life, he felt that he needed reading glasses. What was on the paper
looked blurry to him. He swallowed a few times, and then he started
to speak.
He started speaking too softly. He heard some
murmur from the audience. So he raised his volume. His dictation was
stiff. It lacked rhythm and flow. He rushed the first poem to its
end and rushed on to the next. He tried to turn the page, but by accident, he
dropped all his papers onto the floor. A few even sailed into the
audience. The people made an ooh-sound, and papers were placed back
on stage.
The poet looked at the mess of papers on the
floor for a moment. I can do this without the papers, he thought. I
have read them out loud so many times for my Julia.
The
poet wandered over the stage, and he slowly started to recite the
second poem. The audience became quiet. The poet moved around all
over the stage like he had done in his garden when reading his poetry
for his wife, Julia.
It was one of his best lengthy poems,
and he got lost in reciting it.
The poet mimicked the emotions
with his face, hand gestures, and body poses. He put all of himself
into the words that he spoke out loud.
The audience started to
get mesmerized by the performance.
The light engineer of
the theater, who was leaning back all the time, noticed the change in
the performance and the reaction of the audience.
The light
engineer started to play with the lights. He followed the poet with a
spotlight and used different colors to emphasize the mood on
stage.
The poet recited poem after poem. The applause got
louder and louder after every poem, and there were even some cheers.
After a while, the poet no longer recited his work. He was channeling
his poems. He had become the experience. It was the performance of a
lifetime.
The poet moved all over the stage, using his
voice in all possible ways to convey the meaning of his words. The poet
felt his body was getting warm. A glowing sensation ran up his
spine.
The poet spoke the last words of his final poem.
The audience rose to give him a standing ovation. This was something
they had never experienced in the municipal theater. There were loud
cheers and whistles.
The poet did not know whether he
should bow. Do poets bow? He did not know. So he just said a polite
thank you and left the stage.
The poet stepped off the
stage and felt like he was walking on air.
The mayor rushed over
to meet him. "That was an absolutely stunning
performance!"
"That wasn't me speaking." the poet said.
When Jane spent the night at a friend's house and left her stuffed animals in charge, her Wish-Come-True appeared, but not finding Jane in her bed went on to another child.
Moral: never travel without leaving contact information with your Teddy Bear!
by Martin Sercombe
Xezu was known for his eccentric experiments and strange creations, but his latest endeavor was by far his most unusual. He had concocted a potion that promised to make its user so stunningly beautiful or handsome that no one would be able to gaze upon them for more than a second.
One day, as Xezu was working with the potion, he accidentally spilled some of it into a nearby river. The river flowed into a small village, and soon, all of the villagers who drank from it were transformed by the potion's power. At first, they were pleased with their newfound beauty and charm, but it quickly became a burden as they found that they could not go anywhere without causing a commotion. People would either freeze in panic and wonder or hide their heads, unable to even speak with the villagers.
As the days passed, the situation only grew worse. The villagers became isolated, unable to form meaningful connections with anyone. They could not go to work or attend to their daily tasks without causing chaos, and nothing worked as it did before.
Xezu, upon realizing the extent of the damage he had caused, felt immense guilt and set out to find a cure. He worked tirelessly, experimenting with different ingredients and methods until he finally succeeded in creating an antidote. He hurried to the village and administered the cure to all the affected villagers. Each person instantly became so ugly that no-one could bear to gaze upon them for more than one second.
This illustration depicts the legend of the moment before Dooth, the leader of the Funnelbeaker peoples, first gazes upon Mar-Thol (who is about to disrobe to bath in the Nile) and becomes besotted with her beauty. They marry only later to be cursed with immortality with the memories of each other's face erased by Arka-Arkitutti, the Witch-Queen of the Sea Peoples. For eternity they criss-cross the planet searching for one another with aching hearts.
Somebody needs to write an opera around this.
by Martin Sercombe and Thom Conroy
Night is Paper is a cine-poetic collaboration with novelist Dr Thom Conroy.
The artistic process began with a slide show of images generated in Midjourney. The images prompted a sequence of text-based fragments which combine to evoke a sense of eves-dropping into a shadowy, indistinct world where nothing can be fully understood.
A mix of found sounds and electroacoustic music from the Free Music Archive build upon this mood of unexplained mystery.
By Martin Sercombe and E.E.Cummings
This illustration depicts the legend of the moment before Dooth, the leader of the Funnelbeaker peoples, first gazes upon Mar-Thol (who is about to disrobe to bath in the Nile) and becomes besotted with her beauty. They marry only later to be cursed with immortality with their memories of each other's appearance erased by Arka-Arkitutti, the Witch-Queen of the Sea Peoples. For eternity they criss-cross the planet searching for one another with aching hearts.
Somebody needs to write an opera about this.
The Marriage of Arnold Finley painted by Eyk Van Jens circa 1433 has been the subject of little controversy since its discover in an attic of an abandoned home in Amsterdam more than 150 years ago. Most art historians view it as a simple picture representing the matrimonial bond between Arnold and Marie Finley. However more recently a group of speculative phenomenologists have proposed that it is the first record of what is called iPhone Brain Swap Syndrome (iPBSS). This occurs when two people (usually teens) share the tangly bits of iPhone earphones and due to the circuitry of the iPhone their conscious minds momentarily switch bodies. While the couple in the painting do have a certain vacant look on their faces they most certainly are not wearing a shared iPhone earphone. The technology hadn’t even been invented then and most people in those days used flip phones.
By Martin Sercombe. Poem by e.e. cummings
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
The story of how a group of Funnelbeaker tribespeople from the area which today is the Netherlands were driven south by a megadrought 1400 years BC must wait for another day. How Dooth their leader joined forces with Egypt to defeat the Sea Peoples must also be delayed as well as the history of the establishment of the brief but powerful Egypto-Dutch Empire.
Today the tale you will learn is how Arka-Arkitutti, Witch-Queen of the Sea Peoples cursed Dooth when her ships were sunken, and her army made slaves. How she blessed and cursed Dooth as she was about to die.
As Arka-Arkitutti stood bound to the stake she said, "Dooth, you are a mighty warrior and leader of your people. You have defeated me in spite of all my magics and charms. You and the Egyptian Pharaoh will build a mighty but short-lived empire. You and your wife Mar-Thol will live forever as is your reward. Your punishment: you will be separated, perpetually seeking one another across the world and across time. Dooth, while your heart continues to burn with love, you will be unable to remember your wife's face as she will be unable to remember yours. You may cross paths a thousand thousand times looking for each other and not recognize each other's features."
And so across time Dooth, now known as Father Duvall, searches without hope for his wife. He knows not to waste his immortality. He performs good deeds wherever and whenever he is.
The mother of my new student asked to speak to me in the hallway. She showed me a photograph of a man who could have been the winner of a Charlie Manson look-alike contest. She said, "If you ever see this man around the school immediately call the police. He is my children's father and he has sworn to sacrifice them to Satan."
My jaw fell open. Not the usual greetings exchanged between a parent and a teacher on a new student's first day.
She continued, "We've been moving from campground to campground, town to town trying to escape him for two years."
I looked back at the students through the door to my classroom. "I will see that your son is safe," I said, "and l'll talk to your daughter's teacher. We'll have a plan to hide them if necessary."
We did make a plan, but it was never implemented because within six weeks they had moved on. I have no idea whether they are still on the run or not.
True story, I'm sorry to say.
Every third Thursday of each month, year round, a group of women meet. Ostensibly they are a book club, but that is just for appearance sake. These women are watching those who don’t believe anyone knows or cares who they are. They watch the deserving who need a break. The watch the unrecognized talents who just keep trying. And when these women can they tip the scales in the favor of those unrecognized. These Guardian Angels aren’t everywhere. They don’t have chapters in every city. But they do what they can. Which means just because you don’t believe that someone is watching, don’t believe that your work and talents are being recognized, that doesn’t mean that you don’t have a Guardian Angel who is going to unobtrusively see to it that your talents and skills get what you have earned and richly deserve. Someone is always watching.
By Martin Sercombe
Amika and Amilia are discussing a typical day at their school on Venus.
Apparently, things were not entirely to their liking.
Amika: "Sproin-gent-wumpf?"
Amilia: "Fargen-bloopadoodle!"
Amika: "Thump-fu-glarpen flop-proin-gent-wizzle?"
Amilia: "Glarpen-fargen-thump!!
Amika: "Bloopadoodle-smee floopadoodle-glorp."
Amilia: “Thump-zoo-bloop, sproingent-wump-fargen.”
Amika: "Glarpen-floop-smee??”
Amilia: "Bloopa-doodlethump!!"
Amika: "Fargen-zargo-bloopadoodle."
Amilia: "Hoofoo-luxilo-flimzee-jo-jo!"
By Glen L. Bledsoe
A Shepherdess by the name of Miss Gowz
Tended Sheep the size of large cows
She sold wool to the spinners in town
So they might knit socks, scarves and gowns
Retold Children's Rhyme from the Egypto-Dutch Empire
By Martin Sercombe
It was a foggy night on the train to Berlin, and the passengers were huddled in their seats, trying to stay warm. Among them was a man named Winston who had just heard false rumours of his wife’s infidelity. In a fit of rage, he stabbed and killed her in their compartment, then fled the scene.
The police were quickly alerted but Winston slipped away into the night. The next morning, the newspaper headlines blared the news of the gruesome murder and the failed capture of the suspect.
The passengers were left in shock and disbelief, wondering how such a terrible thing could happen on their peaceful journey. As for Winston, the guilt of his actions would haunt him for the rest of his days, knowing that he had taken the life of the one he loved, in a terrible misunderstanding.