Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thimble Poetry

By Martin Sercombe


In old English folklore, there existed a ceremonial custom of whispering poems inside a thimble as a way of preserving and honouring the spoken word.

Poets and bards would gather together in a dimly lit room, surrounded by flickering candles and hushed silence. One poet would bring with them a thimble, typically made of silver or gold, which they would carefully pass around the circle.

When the thimble reached each poet, he would take a deep breath and whisper a poem, sonnet, or verse that they had crafted specifically for the occasion. The belief behind this tradition was that by whispering the words into the thimble, they would be imbued with a special kind of power that would make them more meaningful and long-lasting. The thimble was seen as a kind of vessel for the poem, protecting it from being lost or forgotten over time.

Once each poet had whispered their poem into the thimble, it was passed to the next person in the circle, until every poem had been captured. Finally, the thimble would be placed on a small altar, where it would be carefully guarded and protected as a sacred object.

It was believed that by whispering the words into the thimble, they would be preserved for future generations, ensuring that the stories and traditions of the past would never be forgotten.



The Performance

A man standing in front of a microphone with smoke around his head.
He was channeling his poems

 Image by Martin Sercombe, story by Simon Sonnenblume

He started speaking too softly

The poet had been writing for decades in his small city. He was not only a poet. He was a painter and a writer as well. He used to read his poetry to his wife, the love of his life, during their evenings in the garden. No one else really knew about his poetry work. Until his old school friend, the mayor, and his wife came to see them for a small dinner party.

Before dinner, the poet and the mayor sat outside in the garden. There were still poetry papers on the table from the previous night. "What is this then?" the mayor asked, "are you going to write a book again?"
"No, no, that’s just..." the poet started to say. "Oh, it is poetry, isn't it?" And before the poet could stop his old friend, the mayor had already started reading. Much to the poet's surprise, the mayor did not stop reading. So he relaxed and leaned in more to the back of his chair.

After a while, the mayor put the papers down. "This is very good, you know. You should do something with this. Are you going to publish them, my dear friend?" "Oh, I do not know," hesitated the poet. "I just write this for fun and read them to Julia when we sit here during the evenings."

During dinner, the mayor suggested that the poet should recite his poems at the municipal theater. "Let me pull some strings. I know some people." he smiled.

A week later, the poet received a formal invitation by mail. "It is official now." the poet sighed. "Hard to back out at this point." The poet looked around in his atelier. He glanced over his paintings, his photographs, and the travel-story books he wrote. "Why the poetry?' he asked himself out loud. "Of all the things I created, they want the poetry. Surely they know I have done more than that." But his paintings were exhibited many years ago at some galleries in the capital, and he sold more than he owned now. Even the local museum had three of his paintings on display.


His travel-story books were translated into multiple languages. His friend Luiz, the local bookshop owner, said his books are still in high demand by tourists. Especially the book about his travels through the desert.

"Well, I have to go now." the poet said while putting on his coat. "I will see you after the recitation then." His wife, Julia, took his head in her small hands, pulled him closer, and kissed his forehead." "Yes, our son will pick me up. You will do wonderfully. You always do, my love. Do not worry about it." "Easier said than done." the poet chuckled. "I am sure you will manage," Julia said while she placed her hand over his head.

"Ah, there you are, right on time," the stage manager said. The poet got some makeup on, and the stage manager showed him around.
He let the poet peek through a hole in the wall. The theater was sold out
The poet noticed everyone in his family was there. Three generations.
His wife, Julia, had managed to get every family member there. Even those who lived far away. It made him more nervous than he already was.

Time ticked away. The moment to enter the stage came closer and closer. The poet noticed the sweat on his hands. He never had sweaty hands, did he? He breathed more shallowly, and unconsciously he swallowed quite a lot.

He heard the voice of this friend, the mayor, announce him. He felt the hand of the stage manager on his back. "This is you now."
The poet could not utter a word, so he just nodded. He walked past the curtain and stepped into the bright light.

He walked a little uncertainly. As if his legs were made out of rubber.
The stage looked bigger in the bright lights. Apart from a slim lectern, there was nothing else on stage. He placed his papers on top of it.
He grabbed the lectern with both hands. It was wobbly!
He quickly pulled his hands back. He organized his papers.
He did not dare to look up at the audience. He saw the sweat stains appear on the paper. Thank God there was a glass of water on the lectern.
But not now, not now. No drinking now, he calmed himself. He tried to focus on the text, and for the first time in his life, he felt that he needed reading glasses. What was on the paper looked blurry to him. He swallowed a few times, and then he started to speak.

He started speaking too softly. He heard some murmur from the audience. So he raised his volume. His dictation was stiff. It lacked rhythm and flow. He rushed the first poem to its end and rushed on to the next. He tried to turn the page, but by accident, he dropped all his papers onto the floor. A few even sailed into the audience. The people made an ooh-sound, and papers were placed back on stage.

The poet looked at the mess of papers on the floor for a moment. I can do this without the papers, he thought. I have read them out loud so many times for my Julia.

The poet wandered over the stage, and he slowly started to recite the second poem. The audience became quiet. The poet moved around all over the stage like he had done in his garden when reading his poetry for his wife, Julia.

It was one of his best lengthy poems, and he got lost in reciting it.
The poet mimicked the emotions with his face, hand gestures, and body poses. He put all of himself into the words that he spoke out loud.
The audience started to get mesmerized by the performance.

The light engineer of the theater, who was leaning back all the time, noticed the change in the performance and the reaction of the audience.
The light engineer started to play with the lights. He followed the poet with a spotlight and used different colors to emphasize the mood on stage.

The poet recited poem after poem. The applause got louder and louder after every poem, and there were even some cheers. After a while, the poet no longer recited his work. He was channeling his poems. He had become the experience. It was the performance of a lifetime.

The poet moved all over the stage, using his voice in all possible ways to convey the meaning of his words.  The poet felt his body was getting warm. A glowing sensation ran up his spine.

The poet spoke the last words of his final poem. The audience rose to give him a standing ovation. This was something they had never experienced in the municipal theater. There were loud cheers and whistles.

The poet did not know whether he should bow. Do poets bow? He did not know. So he just said a polite thank you and left the stage.

The poet stepped off the stage and felt like he was walking on air.
The mayor rushed over to meet him. "That was an absolutely stunning performance!"

"That wasn't me speaking." the poet said.

Night is Paper

by Martin Sercombe and Thom Conroy


 Night is Paper is a cine-poetic collaboration with novelist Dr Thom Conroy.

The artistic process began with a slide show of images generated in Midjourney. The images prompted a sequence of text-based fragments which combine to evoke a sense of eves-dropping into a shadowy, indistinct world where nothing can be fully understood.

A mix of found sounds and electroacoustic music from the Free Music Archive build upon this mood of unexplained mystery.

Songs

By Martin Sercombe and E.E.Cummings

 
 
The American poet E. E. Cummings’ work began to enter the public domain in 2019, which then allowed other artists to make use of his poetry in derivative works across a range of media.
 
 Taking advantage of this, Songs chooses five short poems from his first three volumes: Tulips and Chimneys, & and XLI Poems as the basis for extension into the realm of the moving image.
 
 The translation poses a number of challenges, namely finding ways to preserve the lyrical flow of Cummings’ language as it might be read or spoken, whilst preserving his idiosyncratic use of syntax, line breaks and punctuation. The second challenge is finding appropriate ways to illustrate Cummings’ word images without over defining or misconstruing their meanings or intents. 
 
These five works make no claims to have solved these problems. Rather, they attempt to preserve the spirit of the original works via complementary sounds, music and imagery, reinventing and reimagining them in the process.
 
All the images were generated using Midjourney, and the soundtracks comprise of public domain music selected from the Free Music Archive.

somewhere i have never travelled

 By Martin Sercombe. Poem by e.e. cummings

 

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands


 



The Magical Shepherdess



By Glen L. Bledsoe 


A Shepherdess by the name of Miss Gowz

Tended Sheep the size of large cows

She sold wool to the spinners in town

So they might knit socks, scarves and gowns


Retold Children's Rhyme from the Egypto-Dutch Empire